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Trio Nouveau
http://www.kristio.com/music-trio-nouveau.html


DjangoFest NW 2010
A production of Whidbey Island Center for the Arts
Sept. 22-26

"Songs for a Culture of Peace," gypsy music, a musical puppet show and Earth Gym shenanigans.

SingPeace! Earth Pilgrimage for Peace and Global Harmony gypsy wagon joins the Djangofest, gathering musicians and singer/songweavers for a truly amazing world community gathering.

Nymbol's Secret Garden, a fanciful puppet and costume crafting shop welcomes SingPeace! to the heart of Langley. Look for the wagon on the grass next to Langley City Hall, across from the post office.
Performing at WICA:





Angelo Debarre Quartet with Ludovic Beier



The manouche musician Angelo Debarre
started playing the guitar within his family at eight. After early
professional beginnings, he swapped strings for drums. In 1984, he returned to its favorite instrument and creates his first “Angelo Jazz Quintet”. Since 1985, he has been a regular of the famous Parisian cabaret "La Roue Fleurie" (now closed) and takes part in many tours in manouche jazz and Gipsy styles. He feels quite comfortable in both repertories, and before long he has played alongside Pedro Ivanovitch,
Arbat, Raya, Serge Camps, Bratsch as of Boyan Zulfikarpasic, Xavier Desandre-Navarre, Florin Nicolescu or Moréno, Bireli Lagrene, Jimmy Rosenberg, Romane…

Indisputably a member of the growing family of Django's
heirs, Angelo developed a solid personality. His style, fueled by a staggering technique, is constantly enriching with musical encounters, in the finest Gipsy tradition Angelo's music and personality conquered our Canadian cousins: they bought the rights to Caprice – which may be eventually marketed the way it deserves; are cooking up a new CD recorded on the spot with accompanist Matcho Winterstein; and have been providing him with numerous venues since the Summer of 2000... more.




A jazz musician at heart since his early childhood in Auvers-sur-Oise, Ludovic Beier is a fan of the West Coast sound. As a child, he discovered his idols (Chick Corea, George Duke, Charlie Parker, Miles Davis, George Benson…) who influenced him during the years of its musical education. He started to compose very young, studding his albums with some of his own themes, from ballads to be-bop…

During a concert in Washington in November 2002, a journalist presented Ludovic Beier in these terms: "Since the arrival of
Ludovic Beier's accordion on the musical scene in France, we can proudly say that this instrument is not dead and, on the contrary, enjoys a certain revival. Ludovic Beier belongs to the eager cognoscenti who are always out to try out new sounds and techniques. Not only does he compose, write and arrange, but he also is at basis of the revival of accordion: jazz, West Coast music are new directions taken by this instrument, but always rooted in the French heritage, in his skillful hands."... more.

Paulus Schäfer with Tim Kliphuis



Paulus Schäfer (born 1978) is one of the most talented Gypsy Jazz guitarists from The Netherlands today. Born into a Dutch Sinti (Gypsy) community he learned to play the guitar at a very
early age. Besides listening to fellow Sinti and records of his idol Django Reinhardt, it were Wasso Grünholz - a legend of his own within the community - and his nephew Stochelo Rosenberg from whom he learned the most. After a short period of time, in which Paulus briefly took over the lead guitar of Jimmy Rosenberg in the Gipsy Kids, he formed his own group and recorded his debut album “Into the Light” in 2002,
followed by many concerts and numerous – headlining - invitations to jazz festivals: Sziget Festival Budapest (H), Khamoro Prague (CZ), IGGF Gossington (UK), Django Reinhardt Festival Samois-sur-Seine (FR), Gipsy Festival Anger (FR), International Gipsyfestival (NL), Amersfoort Jazz
(NL), Haarlem Jazz (NL), Folkwoods Festival (NL) to name a few.


Being a musician in high demand, Paulus is often to be found on stage with other musicians, like The Rosenberg Trio, Tim Kliphuis, Prisor Jazz Band, Andreas Öberg, Jimmy Rosenberg and can be found on many albums. He also recorded two more albums with his own group in 2006, ‘Desert Fire’
and ‘Live at the NWE Vorst’ with the Paulus Schäfer Gipsy Band and The Tilburg Big Band. Paulus has a particular sound, easy recognised, and although all Paulus’ albums are true to a distinctive Gipsy Jazz/Swing sound, Paulus is always looking for a new modern sound. Not only to broaden his own horizons, but also a more representative Gipsy Jazz sound for the 21st century. New releases are already scheduled for 2010.


Discography:
“Into The Light” (2002, w/ Paulus Schäfer Gipsy Band) “Desert Fire” (2006, w/ Paulus Schäfer Gipsy Band) “Live at the NWE

Vorst (2006, w/ Paulus Schäfer Gipsy Band and Tilburg Big Band)



Dutchman Tim Kliphuis is one of the top jazz fiddlers in the world, and has been dubbed Stéphane Grappelli's successor. After his long-standing collaboration with gypsy guitar legend Fapy Lafertin, he worked with Angelo Debarre, Stochelo Rosenberg, RIchard Galliano and many others.

A soloist in his own right since 2004, Tim now has a reputation which transcends the Gypsy Jazz scene. His trademark mix of
Jazz, Classical, Folk and World music has taken him all over the world.

An acclaimed tutor in Grappelli's Jazz Violin style, Tim has released best-selling tuition book "Stéphane Grappelli Gypsy
Jazz Violin" with Mel Bay and 2 Hot Jazz Violin DVDs with HyperHip Media... more.

John Jorgenson Quintet



John Jorgenson Quintet - bio coming soon

Howard Alden with Bucky Pizzarelli and Bria Skonberg



Howard Alden - bio coming soon



John Paul Bucky Pizzarelli is an American Jazz
guitarist and banjoist, and the father of jazz guitarist John
Pizzarelli. Pizzarelli has also worked for NBC as a staffman for Dick Cavett (1971) and also ABC with Bobby Rosengarden in (1952). The list of musicians Pizzarelli has collaborated with over his career includes Les Paul, Stephane Grappelli, and Benny Goodman. Pizzarelli acknowledges Django Reinhardt, Freddie Green, and George Van Eps for their influences on his style and mode of play... more.



At age 26, jazz trumpeter and vocalist Bria Skonberg
has been performing on stage for over 20 years. Originally from Chilliwack, BC, she now resides in Vancouver where she has completed a Degree in Jazz Performance from Capilano University. Since getting into jazz ten years ago Bria has been featured as a bandleader and guest artist all over North America, Europe, China and Japan playing alongside
such greats as Warren and Allan Vache, Bucky Pizzarelli and Howard Alden. In July of 2009 she was one of four performers selected for an International Young Artists’ Showcase at the Jazz a Juan Festival in Antibes, France. She has been the recipient of the CBC Jazz Award of Merit (2006), and the Kobe Jazz Street Friendship Award given at the Breda Jazz Festival in Holland in 2007. Early in 2008 Bria was a guest on Riverwalk Jazz with the Jim Cullum Jazz Band representing the “Next Generation of Jazz”. In Vancouver she leads and manages Bria’s Hot Five and The Big Bang Jazz Band,
and performs as a soloist and vocalist with Canadian icon Dal Richards and his Orchestra both live and on his last two albums. She is a co-founder of the groundbreaking all female jazz group, Mighty Aphrodite, comprised of members from the US and Canada. In 2009 Bria released her first solo album Fresh that features original songs and arrangements of jazz and mainstream standards. She is an active advocate for young musicians, working as a teacher/alumni at the Sacramento Jazz Camp and Camp Heebie Jeebies in Port Angeles, as well as programming, narrating and performing
educational school shows for students ranging from Kindergarten to College. Intent on giving back, she is also active on the Board of Directors for the annual Chilliwack Jazz Festival... more.

Hot Club of Detroit



More than seven decades after the innovations of the Quintette du Hot Club de France, featuring guitar virtuoso Django Reinhardt, combos called Hot Clubs carry on the gypsy jazz sound around the globe -- in Tokyo, San Francisco, Seattle, Sweden, Norway, Austria, and many other locales. None, however, offers a fresher take on the tradition than does the Hot Club of Detroit, led by fast-fingered Reinhardt disciple Evan Perri. Unlike the instrumentation of original Paris-based quintet, comprising Reinhardt, violinist Stephane Grappelli, two rhythm guitarists, and a bassist, the current Hot Club of Detroit is made of guitarist Perri, accordionist Julien Labro, soprano and tenor saxophonist Carl Cafagna, rhythm guitarist Paul Brady and bassist Andrew Kratzat. The fibrous accordion tones of Labro, a native of Marseilles, France, links the Detroit quintet to the French musette style from which gypsy jazz
partially sprung, while Cafagna’s robust saxophone work introduces bop and post-bop elements to gypsy jazz... more.

Pearl Django



Entering their sixteenth year of performing Pearl Django continues to be one of America’s most respected and busiest Hot Club style groups. Though still strongly influenced by the music of Django Reinhardt, Pearl Django’s repertoire now includes many original compositions. Their music reaches out across the divides of taste to a wide variety of audiences. The band's fervent followers include Django Reinhardt and Stephane Grappelli fans, guitar enthusiasts (and guitarists!), lovers of string music, including bluegrass devotees, who
relish nimble, clean, intricate picking, "world music" fans drawn to French and Gypsy accents, plus jazz buffs and aficionados of the new swing music. Transcending simple categorization, Pearl Django packs in enthusiastic audiences at dancehalls and nightclubs, at folk music festivals and jazz festivals alike... more.

Troy Chapman, Guitar; Ryan Hoffman, Guitar; David Lange, Accordion; Michael Gray, Violin; Rick Leppanen, Bass

Robin Nolan Trio



Robin Nolan Trio - bio coming soon

Gonzalo Bergara Quartet



Gonzalo Bergara Quartet - bio coming soon

Kruno with Ludovic Beier



Kruno - bio coming soon

Alfonso Ponticelli and Swing Gitan



Alfonso Ponticelli and Swin Gitan - bio coming soon

Caravan - Marc Atkinson Trio with Daniel Lapp



Marc Atkinson Trio - bio coming soon

Van Django



Van Django is an acoustic string ensemble made up of four of Canada's most talented and eclectic musicians; violinist Cameron Wilson, guitarist Budge Schachte, guitarist/cellist Finn Manniche and bassist Brent Gubbels. Van Django's music is punchy, driving and rhythmically inventive,
combining a wealth of musical influences while maintaining their roots in the gypsy jazz made famous by the 1930's Quintet of the Hot Club of France. Since the group’s formation in 1998, they have toured extensively in Canada as well as international forays to the USA and Europe. The group has had repeat performances at Djangofest Northwest
(DFNW) where in 2008 they shared a double bill concert with the John Jorgenson Quintet and in 2009 they opened for the legendary gypsy jazz guitarist Romane and his group. They look forward to a return visit this year (2010) to DFNW for a double bill concert with the Mark Atkinson trio. Van Django is slated for their second European tour in early September of this year (2010)... more.

Hot Club Sandwich



Hot Club Sandwich - bio coming soon

Billet-Deux



Billet-Deux - bio coming soon

Douce Ambience



Douce Ambience - bio coming soon

Doug Martin Avatar Ensemble with Annie Staninec



Doug Martin Avatar Ensemble - bio coming soon

Nick Lehr Quartet featuring David Seriff



Nick Lehr - bio coming soon



The Festival Staff.

Nicholas Lehr, Artistic Director; Stacie Burgua, Executive Director; Deana Duncan, Production Director; Jason Dittmer, Director of Marketing; Tyler Raymond, Technical Director; Jeanette Eveland, Volunteer Coordinator; Ann Deacon, Facilities Manager; Dorothy Ferguson, Shirley McClure, Karen McInerney, Linda O'Brochta, House Managers

Read more…



1778 N. River Rd., Cosmopolis, WA



A teaching gathering for ceremonial/devotional singing circles, dancing, and music
We change the world as we transform ourselves with songs of light, love, peace on earth, and goodwill to all beings.




What is Singing Alive?
Now in its 4rd year, Singing Alive is about bringing people together who feel called to awaken, and nuture their spiritual life thru communion with songs (and prayers, chants, blessings, and so om) of celebration of life in this benevolent universe. Such songs clarify our lives, strengthen our communities, and foster personal and planetary renewal. At Singing Alive we gather to share them, and ourselves, in a safe, welcoming environment. Our goal is to open hearts, and the songs are the keys. These songs are multi-cultural, coming to us from many eras and lands far and near.
Together they tell a perennial story, a Gaian dharma, so often forgotten, yet so joyfully remembered, of the Great work of spiritual evolution, of earth-conscious living and peaceful co-existence. By
singing this story we come home to Ourselves and perform the Dream of re-Creation we have so longed to live. Singing Alive is intended to hold space for this Dream to emerge and manifest, to give people the resources, and support for this initiatory transition we are ALL, consciously or not, with grace or in denial, going thru.



The old paradigms of domination, exploitation, and war are fitfully, yet inexorably, crumbling, and a new genre of songs have (re)emerged that reflect and celebrate the new paradigm of love, light, and the pursuit of blissful service to the world. By engaging our hearts in song, we help actualize this paradigm in ourselves and the collective. This is subtle activism, nourishment for a spiritually hungry world.


Our intent is to invite singers and musicians who can share songs of this genre, which work in the format of communal singing. This is not an entertainer / audience gathering; ‘rather it is a participatory event, a co-prayformance, where we all sing together, and work together to make this happen. Those who don’t think they can sing are encouraged to come and claim the birthright of a singing species!!



Teaching and Sharing Circles at Singing Alive
Voice & Breathwork
Dances of Universal Peace
Playing Musical Instruments
Bardic Legacies and Storytelling
Creating & Sharing Songbooks & Songbook
Art Whole-Group
Singing Circles & Small Song-Circles
Midwiving New Languages & Reclaiming the Ancient Ones


Song Traditions (Song Tribes) Rainbow, African, Shamanic, Daime, Orisha, Osho, Native American, Amma, Sufi, Gospel, Kirtan, and omward . . .
Song Themes and Invocations
World Peace, God/Goddess Exaltations, the Elements, Fairies & Devas,
Blessings, Gratitude, Grief & Praise, Planetary Acupuncture, Human Flowering, Children Circles,
Harmonic Toning, & Song On


This gathering was conceived on July 16, 2005 by Michael Pilarski (Skeeter) & Morgan Brent (M.T. Xen). Skeeter is a wildcrafter and gardener, permaculturalist, educator, and the founder of many
gatherings, such as the Okanagon Barter Faire, the Northwest Herbal Faire, and the Human & Fairy Relations Congress. M.T. is an educator, organizer and song enthusiast who specializes in
prescriptive teachings of medicinal plants (Nature’s plan to save humans). He shares these teachings through Creation-story style sacred song circles.


What is the key to untie the knot of the mind’s suffering?
Benevolent thought, sound, and movement.
The Gft, 14th-century Sufi poet Hafiz


Read more…

Singing Tokitae Home


8/4/2010 8:28:00 AM
Remembering Lolita
(Tokitae - Salish name)
Wallie V. Funk / Pacific NW Studies Collection, WWU <br / Orcas churn in the waters of Penn Cove during the capture of orca Lolita in 1970. Of the seven whales captured that day, only one – Lolita – is still alive.

Wallie V. Funk / Pacific NW Studies Collection, WWU

Orcas churn in the waters of Penn Cove during the capture of orca Lolita in 1970. Of the seven whales captured that day, only one – Lolita – is still alive.
cleardot.gif
Wallie V. Funk / Pacific NW Studies Collection, WWU Workers using a bucket loader remove a dead orca whale from a beach in Penn Cove following the 1970 roundup. Several orcas that had been killed in the roundup were later found with their bellies slit and filled with rocks, chains and anchors to keep the deaths from public knowledge.

Wallie V. Funk / Pacific NW Studies Collection, WWU

Workers using a bucket loader remove a dead orca whale from a beach in Penn Cove following the 1970 roundup. Several orcas that had been killed in the roundup were later found with
their bellies slit and filled with rocks, chains and anchors to keep the
deaths from public knowledge.
Save the date

The Orca Network is organizing a commemorative event on Sunday, Aug. 8 in Penn Cove.

At 3 p.m., boaters are invited to attend a wreath-laying ceremony at the site of the capture.

From 5-6:30 p.m., a reception is planned at the Coupeville Wharf with former dolphin trainer Ric O’Barry and displays of the orca capture.

At 6:30 p.m., a silent auction will be held to benefit the Orca Network.
Dessert and coffee is followed by guest speakers including Ric O’Barry,
Howard Garrett and eyewitnesses to the capture. Coupeville Performing
Arts Center, 501 S. Main St. Visit orcanetwork.org.

By Sue Ellen White
Examiner Staff Writer

Forty years later, the plaintive cries of young orca whales reverberating across Penn Cove is still vivid for John Stone of Coupeville.

“You could hear the whales squealing when they pulled them out,” Stone said. “It drove my cat crazy.”

Working a summer job at the Captain Whidbey Inn, Stone became an intimate witness to an infamous event: the 1970 capture of orca whales in Penn Cove by entrepreneurs engaged in the then-legal business of
selling the wild marine mammals to aquariums and theme parks.

Stone transported newspaperman Wally Funk out to the whale hunters’ raft to photograph the capture. His parents owned the inn and the site where the whales were trapped was just a third of a mile away.

“My gut reaction was this was the wrong thing to do,” he said. “I was not alone, but I was not in the majority. These were ‘killer whales.’”

On Aug. 8, 1970, Stone was scheduled to work the evening shift in the restaurant, but was off during the day. He remembers the noise, airplanes and high-speed boats that arrived in the cove, driving about
90 whales before them.

It was a superpod of the combined family groups or pods, named “J,” “K” and “L,” belonging to the Southern Resident orcas whose home range is the Salish Sea. The area encompasses Puget Sound and the Northwest
Straits in Northwest Washington and British Columbia’s Gulf Islands and
Georgia Strait.

The whale families, which normally are separate, congregated for genetic diversity in mating, Stone believes, when Seattle Marine Aquarium owner Ted Griffin and Don Goldsberry of SeaWorld, ensnared them
at the San de Fuca end of Penn Cove.

“The fact that the whales were here was a fluke,” said Stone.

The hunters had first tried to herd the superpod into Holmes Harbor, but they escaped, according to Stone, and headed up Possession Sound.

“They were able to corner them in Penn Cove,” said Stone. “They got a net around half the whales and a smaller net inside of it, trying to isolate the adolescents. They isolated whales and then hauled them out
at the old Standard Oil dock at San de Fuca.”

That’s when the new little captives issued their cries, heard all across Penn Cove, with answering calls from the adults. The roundup took place over about a week, Stone said. Of the approximately 90 whales,
seven young orcas were captured and one adult female died as the result
of net entanglement trying to reach her calf. According to written
accounts, four babies also drowned.

One of the bodies was netted by a fisherman in November 1970, while the others washed up on the beach. They were found to have had their bellies slit, then filled with rocks and weighted with chains and
anchors to keep the deaths from public knowledge.

The whale hunts continued until Washington’s Secretary of State, Ralph Munro, witnessed a 1976 whale roundup and was motivated to urge state legislation outlawing the capture of orcas.

It is estimated that the Southern Residents lost between a third and a half of their population during the years trapping was allowed.

Most of those were young whales whose reproductive years were ahead of them. Juvenile orcas were preferred by the hunters because they were smaller to transport and thought to be easier to train to do aquatic
tricks at the marine parks they were sold to.

Of the seven orcas captured that August week 40 years ago, only one, Lolita, whose native name was Tokitae, and who was six years old at the time, is still alive. She has been at Florida’s Seaquarium for 39 years.

Six historic hours

The most dramatic record of the orca capture is the photographic collection of Wallie Funk.

Funk was the owner of two Whidbey newspapers at the time and got around a lot for a local boy. He said he has photographed five U.S. presidents, the Beatles, Mick Jagger and numerous historic events. But
his work recording the chaos and action at the Penn Cove capture site is
among his most vivid memories.

Funk arrived in the afternoon of Aug. 8 at the Captain Whidbey, encountered Ted Griffin and Don Goldsberry, and told them he would really like to go out to the walkway raft next to the net pen and do
some photographing. They agreed and Stone took him out in a 12’ aluminum
boat with a 3 hp motor to the center of the operation.

“They were entrapped in a small area, they were flailing in the air,” Funk said. “You could hear a high-pitched squeal and they were communicating with many, many more that were outside the net in Penn
Cove.”

“I was the only press allowed on the raft. At the time I was there to record a scene. Every once in a while I would run out of film and one of the Stones would get more film for me. I was out there for about six
hours. I ran through 30 rolls of film,” Funk said.

It was only later as he developed the film that Funk stepped back from his role as a photojournalist to react with outrage at what he had recorded.

Killer whales

At the time, recalled Stone, the marine mammals were known as killer whales and thought to be extremely dangerous to humans, though there are no recorded instances of orcas in the wild attacking people.

While some pods hunt large prey such as seals and sharks, the Southern Residents are fish eaters. Some fishermen considered them pests and unwanted competition.

People quickly found out about the hunt and lined the road above the Penn Cove capture site, more out of curiosity than objection, said Stone.

Five years before, a male orca had been caught in a fisherman’s net in Namu, B.C. He was sold to Ted Griffin, who named him Namu, brought him in a floating pen to Seattle through Deception Pass and installed
him at his aquarium.

Namu and Griffin made headlines, but the orca – the second to live in captivity – died in 1966, a year after it was captured.

Free Lolita

Forty years later, attitudes have changed. Whales capture is not allowed in the United States and organizations have formed to free captive whales.

Lolita is the only captive whale alive from the 1970 Penn Cove trapping. Organizations such as the local Orca Network say that she has served humans long enough and should be repatriated from Miami’s
Seaquarium to her home waters. They add that the Deepwater Horizon oil
spill may pose a new threat to Lolita.

“The awful possibility that plumes of oil mixed with highly toxic chemical dispersants could reach Miami in mid-August, as predicted by NOAA, and be pumped into her tank water, adds urgency to our 15-year
long efforts to retire her in her native waters,” said a recent press
release from the Orca Network.

John Stone agrees that Lolita should be freed. He had his own close encounter with an orca during that week that still gives him pause.

The young man was going out to the raft at the net pen to pick up Funk and he saw the massive male orca known as J1 or Ruffles headed right toward his little skiff.

“This huge whale was coming to me on the surface on a collision course,” said Stone.

He was not sure what to do, but did not want to confuse the whale by changing his course. So Stone held steady.

“Just before he got to me, his huge dorsal fin goes right under me and came up just on the other side of the boat. My heart was in my throat,” said Stone.

The orcas were being terrorized and young ones trapped and though J1 might easily have attacked Stone, he did not.

Stone has not forgotten. He will pilot his 58’ ketch, the Cutty Sark, out on Sunday, Aug. 8 to the spot where the whales were captured 40 years ago for a commemoration of the capture.

The outing is being organized by the Orca Network – people intent on making sure the rest of us don’t forget either.








Reader Comments

Posted: Saturday, August 07, 2010
Article comment by: Ralph Munro

My wife karen and many others deserve most of the credit for stopping whale
captures in America. The Penn Cove capture was followed by the Budd
Inlet Capture in 1976. We were less than 100 yards away on a sailboat.
It was gruesome.

Karen Munro, Bill and Penny Oliver, Put Barber and Valerie Lynch , Dr Paul Spong, PI reporter Mike Layton, Attorney
General Slade Gorton, et al all led the charge to stop whale captures
in Washington Waters. They all deserve lots of credit.


Posted: Friday, August 06, 2010
Article comment by:
Connee Robertson


She must be released. She is desperately needed by her pod, being one of the only
breeding aged females left. She has a little sister that is too young to
breed and many in her family disappeared a couple of years ago. Her
captivity and continued captivity is panamount to a human living in a
bathtub for all of those years. This is horrific abuse and cannot be
tolerated anymore. Orcas are becoming very endangered because of the
huge amounts of pollutants in the ocean. Let her go!!
Read more…


…to the Spiral of "The Work That Reconnects" as developed by Joanna Macy

Songs for Going Forth

Songs of Gratitude

Songs for Seeing With New Eyes

Songs for Honoring Our Pain for the World


The Great Turning is a global change of heart and ways of living, a more nurturing, appreciative and sustainable relationship with the Web of Life, a shift toward a life-enhancing human presence on Planet Earth. Songs, especially when sung together and in harmony, are a vital tool in the Great Turning and a great enhancement to the interactive group processes developed by Joanna Macy known as the Work That Reconnects. They help us experience in the body our connection to each other and the planet, summon our collective courage, enliven us and inspire us to play our part in creating a life-sustaining society.

We present here a collection of songs that are easy to learn and sing in groups, at "Work That Reconnects" gatherings, in our work in the world, in our daily lives. They are grouped thematically around the four points of the
Spiral, a conceptual guide used in Joanna Macy’s practices.

Click on a song category in the spiral above to see a list of songs exploring that theme, or use the pull-down menus above to go directly to a specific song. The individual song pages feature lyrics and recordings of the songs and each of their parts, so that you can learn them, teach them and pass them on. Soon this website will enable you to recommend songs to add to the collection and help grow this site into a worldwide resource to sing in the Great Turning!


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