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Thoughts of a Crystal
Written by Jessica Mystic

Here is how a seven-year-old crystal child sees the issue of war and soldiers. He speaks in the first paragraph, and then his parents interpret his words in the
remaining paragraphs.

To prevent war, we must imagine the soldiers happy in their homes and doing what they love. If no soldier wants to attack, then there is nothing to defend, and the
soldiers are happy to avoid the risk of killing or dying. And everyone
loves them because they do not want to hurt, and they refuse if they are
sent out to hurt. People do not want war, and the soldiers do not want
to die or attack, but on TV it is being said it is necessary, but that
is not true.”

In its apparent simplicity, the power to imagine all the world’s soldiers at home being happy and doing what they like is in the best tradition of Anastasia´s
imagery. Although we have been bombarded with images of war for eons,
this archetype is now being removed from the conscious mind. This
archetype has been around for millenia on the material plane and has
been manifested consistently, reaching its apotheosis in the recent
world wars. Then it was implanted in the minds of humanity so that
almost all the population justified the war and its dire consequences as
necessary and even glorious and heroic.

Since then, the consciousness of the planet has evolved. Gradually over the following decades, voices began to be heard protesting the wars. Thanks to this
elevation of consciousness, large numbers of people around the world
began to forget the war experiences of their ancestors, and subsequent
generations began to heal. They began to reject the idea that violence
is inherent in human nature, and so therefore it was not possible to
have any more large-scale wars. To keep the archetype of the war in the
consciousness of these populations, the leaders have used a variety of
media including film, television, and more recently, videogames.




The purpose is clear: to manifest a war, it is necessary to get a momentum of hatred and fear in the collective unconscious. They have to project and sustain these
images and feelings in enough people over a period of time sufficient to
permit its manifestation on the physical plane. These images must be
sufficiently focused and aligned so that the demonstration does not
dissolve in contradictions. That is why certain images, emotions, and
sounds of war are repeated in all the audiovisual media. An entire
generation grew up reading Life magazine and having black and white
images of war implanted in their minds. Young people today live trapped
in the archetypal world of video games and movies, and their minds are
also being implanted with images of violence.

The archetype of the good soldier waging war to defend against "evil" is one of the most revered figures in countries with long military traditions. We are taught that
the soldiers play a primary role, always ready to defend their homeland
and all those good citizens who are fortunate enough to live where
freedom, justice, and equality reign.

This archetype of the soldier waging war is a corruption of the archetype of the champion of justice. The noble feeling from pursuing justice and defending the weak
finds its fullest expression within a community where some injustice or
abuse of power has occurred. Soldiers should have the right to stay
where they would be really useful, living a peaceful and harmonious
existence within their communities.

If we imagine our soldiers happy within their communities and doing what they love, that is, what they want by calling, we would then have brave people in every
community. We would have very capable and just men and women who would
be responsible for peacefully mediating conflicts within the community.
They would also keep an eye on local authorities to prevent any abuse or
corruption. In many cases, they could provide an effective recourse to
slowly grinding justice. These highly organized teams of men and women
would also be very useful for dealing with natural disasters or
extraordinary contingencies. These soldiers could use their natural
talents in their communities, feeling integrated and useful all the
time. The figure of the used and discarded war veteran is no longer
relevant to a society that has learned to positively channel the needs
these people have for delivering justice and necessary defense.

To imagine soldiers all over the world returning to their communities and refusing to continue offering their bodies and souls to the service of vested interests is
certainly within our grasp. It is an act that can have a huge impact if
enough people decide to eradicate all the previously implanted mind
images of war. (Thankfully, most people today have not actually
experienced war and do not have these images in their present memories.)
It does not cost the civilian population that much to get rid of these
images, but for those who belong to the vast military machine it can
cost a bit more. To achieve this end, soldiers would have to feel the
civilian population’s permission and mandate to refuse to obey war
instructions. They would also have to feel loved within their
communities and feel appreciated for their talents as society offers
them tasks and responsibilities according to their capabilities.

Can we imagine this?

http://www.jessicamystic.com/









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Thanks For TREES & MEMORIES, a blog post by Maureen Freehill







This was an evening to remember always; a day of great challenge, adventure and triumph for all participants and patrons at the "For TREES & MEMORIES" gala benefit and MomoButoh Dance Company. We gathered to raise funds and awareness for Whidbey Camano Land Trust's effort to purchase and save from 664 acres of Whidbey's last contiguous forest land forever. We raised just shy of 4K, just about 1% of what is needed to buy it. It feels great to have gathered with such a strong positive energy and intention for highest good and give it our all in the face of some very challenging circumstances.

I had to do the majority of the cleaning and preparation of this wood mill on my own (many thanks to my mom and student Evan who helped!). The sound guy cancelled a day before, the video guy got the flu and could not do it. The dressing room just about killed us; we had nearly no time left for rehearsal and some performers
decided to make directorial decisions at the last minute adding a touch of spicy chaos to an already interesting techno soup. More audience members showed up than expected and they all participated with such enthusiasm and respect. The abundant and delicious food & drink were prepared and served with such care and generosity by my mother and her partner.

The SingPeace! folks with Pushkara, Laurence Cole and Mick Dodge, along with Harmonica Pocket's Keeth Apgar and Nala Walla, gathered and built our community spirit by giving birth to new songs to honor the trees under the blue sky before we entered the hall. Dennis Zimmerman the DJ showed up at the last minute to save the day and was amazing at jockeying both the sound and film projection as it illuminated all over the wood filled hall, even though he had never been a VJ before. Wow! Christine Tasseff helped with much needed equipment and took up the task of documenting the event on video. Here are some of the results to give you a little peek into highlights of the festivities.

The most amazing thing for me was the Live Edge Woodworks space itself donated by Kim Hoelting and adorned by Deborah Koff-Chapin's drawings that surrounded us in wooden slabs and magical images inspired by the trees and forests. We were all reminded of how the trees are not only important for our physical survival but also to nourish our souls.

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